Pia maiocco naked

18-Jan-2020 14:09

Wir verwenden Cookies, um Inhalte zu personalisieren, Werbeanzeigen maßzuschneidern und zu messen sowie die Sicherheit unserer Nutzer zu erhöhen.Wenn du auf unsere Webseite klickst oder hier navigierst, stimmst du der Erfassung von Informationen durch Cookies auf und außerhalb von Facebook zu.I wrote this linear piece of bizarre music, with all these polyrhythms, and I recorded it eight times on each of the eight tracks, each time changing the [ tracks originated as wild studio experiments or even jokes. And because these tracks were basically goofball home recordings, Vai’s initial thought was merely to press up the music on a limited run of flexi discs that he would give to friends.Vai brought his friends in on the recordings, along with fellow Zappa band members Chad Wackerman and Bob Harris and bassist Stuart Hamm. Flexi discs were phonograph records pressed on very thin, flexible sheets of vinyl that were often bound into the pages of music magazines as a free giveaway.

Pia maiocco naked-35

, Vai delivers the most in-depth look ever into the making of his shred-tastic debut and his plans to remake it.

“Even when I was a young boy,” he recalls, “besides the guitar itself, the thing that fascinated me most was the idea of recording sound on sound.

I started recording stuff the day I started playing guitar. There’s maybe the idea of some kind of posterity, which more and more seems like a big waste of time.

His uncanny mastery of the fretboard, the strange voodoo he could work with a whammy bar, the soul-searching lyricism of his ballad playing, his compositional flair, even his mystical, tantric alien love god persona—the whole Vai story begins with The album is also an important early example of a rock musician seizing control of the means of production and distribution, and having it his own way.

Vai recorded it in a home studio that he built with his own hands, and then released it independently. era of My Space and You Tube, Pro Tools and Garage Band—except that Vai did it all analog, at a time before personal computers had even made their way into most people’s homes and the internet was still more than a decade down the road.

, Vai delivers the most in-depth look ever into the making of his shred-tastic debut and his plans to remake it.

“Even when I was a young boy,” he recalls, “besides the guitar itself, the thing that fascinated me most was the idea of recording sound on sound.

I started recording stuff the day I started playing guitar. There’s maybe the idea of some kind of posterity, which more and more seems like a big waste of time.

His uncanny mastery of the fretboard, the strange voodoo he could work with a whammy bar, the soul-searching lyricism of his ballad playing, his compositional flair, even his mystical, tantric alien love god persona—the whole Vai story begins with The album is also an important early example of a rock musician seizing control of the means of production and distribution, and having it his own way.

Vai recorded it in a home studio that he built with his own hands, and then released it independently. era of My Space and You Tube, Pro Tools and Garage Band—except that Vai did it all analog, at a time before personal computers had even made their way into most people’s homes and the internet was still more than a decade down the road.

“I was completely scared to death of being famous,” Steve Vai confides.