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century, and offering a generalized reading of each’s predestined course.

(Their generation was defined as “prophetic”; mine, the so-called “Generation X”, they called “nomadic.” You can imagine why I might have been offended.) Now when I teach the book to students who are the ages of my sons, I find myself very aware of the age gap between me and them.

Andrew Diamond is the scientific curator of the event.One point of comparison may be France’s own “culture wars”.After the Los Angeles riots in 1992, American politicians on the right and the left successfully pressured record companies to drop from their rosters hundreds of rappers deemed too controversial, particularly for their views on policing and the failure of government.Hisham Aidi’s recent book Rebel Music: Race, Empire, and the New Muslim Youth Culture (Vintage, 2014) shows that Muslims in France and elsewhere continue to connect with the African American experience through hip-hop.What is your own view of the French hip-hop scene in the twenty-first century? Jeff Chang: I can only speak as an American of Asian and Pacific Islander descent who feels a kind of kinship with French hip-hop artists of minority and resistant identities.

Andrew Diamond is the scientific curator of the event.

One point of comparison may be France’s own “culture wars”.

After the Los Angeles riots in 1992, American politicians on the right and the left successfully pressured record companies to drop from their rosters hundreds of rappers deemed too controversial, particularly for their views on policing and the failure of government.

Hisham Aidi’s recent book Rebel Music: Race, Empire, and the New Muslim Youth Culture (Vintage, 2014) shows that Muslims in France and elsewhere continue to connect with the African American experience through hip-hop.

What is your own view of the French hip-hop scene in the twenty-first century? Jeff Chang: I can only speak as an American of Asian and Pacific Islander descent who feels a kind of kinship with French hip-hop artists of minority and resistant identities.

Bill Clinton’s rebuke of misquoted comments by Public Enemy-affiliated rapper Sister Souljah on the riots is a moment now understood to have been crucial in mobilizing white constituencies to support his election.